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Facets 2​/​3

by Rhiannon Scutt

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    Facets 2/3 CD

    Written by Rhiannon Scutt

    Rhiannon Scutt - Guitar, Vocals
    Philippe Clegg - Bass,
    Sarah Heneghan - Drums
    El Heneghan - Accordion
    Claire Lampon - Violin
    Ruth Nicholson - Violin
    Sarah Smout - Cello
    Eloise Oates-Lidar - Trumpet
    Ryan Taylor - Hammond Organ
    Jim Widdop - Pedal Steel


    Produced by Paul Blakeman & Michael Eden
    Mixed by Paul Blakeman
    Mastered by Katie Tavini

    Recorded at Tesla Studios, Sheffield.

    Cover illustration by Liah Edwardes.
    All rights reserved.

    Includes unlimited streaming of Facets 2/3 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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    Get all 6 Rhiannon Scutt releases available on Bandcamp and save 10%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Slow Drift, Facets 3/3, Facets 2/3, Facets 1/3, Stevie, and EP #9. , and , .

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1.
Audrey 04:27
She had green eyes, and auburn hair, In the style of the time she was nineteen then and I, just a child, looking on. She met a man with a mean streak a mile wide, Who charmed, beguiled her, pulled her from our side, This child’s love not enough, but God I tried, He was a German soldier, and SS man, After years of fear she you took your life in your own hands, I’ll never know why, or understand. If I could choose to be, like anybody, I’d choose to be like you. I have strangers for ancestors, I have nameless great grandchildren, Of all of those I with I could know you. So I write this song from a mountain town, Through the eyes of my grandmother who’s not around, I hope I don’t offend you, or let you down. But you always said that she looked like me, Couldn’t tell our pictures apart when we were seventeen, Living up to a ghost can weigh heavy. If I could choose to be, like anybody, I’d choose to be like you. I have strangers for ancestors, I have nameless great grandchildren, Of all of those I with I could know you. She had green eyes, and auburn hair.
2.
They call me a songwriter everywhere I go, They know my songs and they’ve been to my shows, But they don’t know that I have no more notes Collecting dust in the corner is my old guitar Three feet away from me yet still much too far For me to go to find those notes It’s hard enough, finding time Then to push words together when those words don’t want to rhyme Oh and time, oh time is ticking by Time oh time is ticking by Others use the same words hundreds of time, Yet coming from me, it just don’t feel right Oh why oh why can’t I Why oh why can’t I Songs come easy, songs come hard, Unlike lovers they don’t leave us, but they can still tear us apart This from me to you, is a start From me to you is a start I got twelve notes to play with, and all these combinations you'll have heard, sometimes I don't see sense in trying to write a new one, so i'll stick to what I know works It’s hard enough, finding time Then to push words together when those words don’t want to rhyme And it’s hard enough, to tow the line, With working and sleeping and daily life Oh and time, oh time is ticking by Time oh time is ticking by
3.
Lee 04:05
I have a friend, We haven’t spoken in years, years I have spent growing old Growing old Much has changed, since those lazy days of our youth, Oh in truth, I miss you I miss you And the winter light, it takes me straight back With it’s changing skies, that don’t let me forget, And it’s icy wind, that’s biting my cheek, The nights draw in year after year, And I feel as though somehow you’re near But I can’t forget, no I can’t forget Don’t want to forget, The year we lost you I have a friend, we haven't spoken in years, years I have spent, growing old. growing old
4.
Tripping round the city, Whisky vision, ditties played by sullen men You dress me in your scarf, Territory marked, but I’m not yours to have Not yours to have No I’m not yours and you’re not mine We kid ourselves, enjoy the lie, Paint for peace on borrowed time, And that night the spell was broken, under the full moons light. Arthur in his seat but, We won’t go to meet him, my legs tire My legs they tire We shelter from the rain drops, Cos your boots they lace up, but they have no grip, We have no grip No I’m not yours and you’re not mine We kid ourselves, enjoy the lie, We paint for peace on borrowed time, And at night we walk home heartbroken, under the full moons light. Your kiss explosive, How was I supposed to know this I thought that it would break the tension I never thought it would create this tension I miss you No I’m not yours and you’re not mine We fool around, enjoy the lie, We paint for peace on borrowed time, And at night we walk home heartbroken, that night we went home heartbroken that night, our spell was broken, under the full moons light. That special blue sky The full moons light That special blue sky

credits

released April 21, 2022

Written by Rhiannon Scutt

Rhiannon Scutt - Guitar, Vocals
Philippe Clegg - Bass,
Sarah Heneghan - Drums
El Heneghan - Accordion
Claire Lampon - Violin
Ruth Nicholson - Violin
Sarah Smout - Cello
Eloise Oates-Lidar - Trumpet
Ryan Taylor - Hammond Organ
Jim Widdop - Pedal Steel


Produced by Paul Blakeman & Michael Eden
Mixed by Paul Blakeman
Mastered by Katie Tavini

Recorded at Tesla Studios, Sheffield.

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all rights reserved

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Rhiannon Scutt Sheffield, UK

Evolution through Rhiannon’s music is clear. A shift from her first rootsy duo Rita Payne, through a period of introspective work developing as a lyricist. Now working with a grittier sound, she maintains her beautiful and at times uncomfortable lyrics, experimenting with world-class musicians, who's combined sound converge where distorted guitars, live strings meet drum machines and jazz trumpet. ... more

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